One of America's most creative and imaginative directors, Linda Brovsky's productions have earned critical and popular acclaim on operatic stages throughout North America, including the San Francisco Opera (L'Elisir d'Amore), Santa Fe Opera (La Traviata, Don Giovanni), Seattle Opera (I Puritani, Rigoletto, La Cenerentola, Madama Butterfly, L'Elisir d'Amore, La Fille du Regiment, La Cenerentola, Il Barbiere di Siviglia, Die Fledermaus, and The Merry Widow), San Diego Opera (Le Nozze di Figaro, Faust and La Cenerentola), Los Angeles Opera (The Countess Maritza), Opera Theater of St. Louis (Black River by Conrad Susa and the world premiere of The Midnight Angel by David Carlson), Glimmerglass Opera (Midnight Angel), Florentine Opera Company (Die Entführung aus dem Serail, Carmen, Hansel and Gretel and the American premiere of Lowell Liebermann's The Portrait of Dorian Gray), Kentucky Opera (Lucia di Lammermoor, La Cenerentola, Carmen, La Traviata, and Tosca), Opera Pacific (Il Barbiere di Siviglia, La Traviata), Pittsburgh Opera (L'Elisir d'Amore), Cincinnati Opera (Rigoletto, La Traviata), Palm Beach Opera (I Puritani), Opera Omaha (Don Giovanni, Carmen),  Lyric Opera of Kansas City (Il Barbiere di Siviglia, Eugene Onegin) Opera Santa Barbara (Cavalleria Rusticana, I Pagliacci, Suor Angelica, Gianni Schicchi), Atlanta Opera (L'Elisir d'Amore, La Traviata), Manitoba Opera (La Boheme), Orlando Opera (Carmen), Utah Opera (Tosca), Opera Festival of New Jersey (Madama Butterfly), Wolf Trap Opera (L'Ormindo and Postcard from Morocco)Teatro de la Opera (Don Pasquale), Tulsa Opera (La Traviata, Les Pecheurs des Perles), Opera Carolina, Austin Lyric Opera (La Boheme), TODI Music Festival in Norfolk, Virginia (Aida) and various opera productions for the New York City Opera National Company, Sarasota Opera, Hawaii Opera Theater, Madison Opera, Central City Opera, Colorado Opera Festival, Toledo Opera, Oklahoma City Philharmonic, Fort Worth Opera, Greensboro Opera, and Sacramento Opera.

At home with young singers, she has directed productions for the Academy of Vocal Arts (Lucia di Lammermoor), Mannes School of Music (La Finta Giardiniera), Manhattan School of Music (Griffelkin,  the American premiere of Matthus' Cornet Christoph Rilke's Songs of Love and Death, Britten's The Turn of the Screw, a new production of Rappacini's Daughter and the world premiere of Scott Eyerly’s House of the Seven Gables).

This past season, she returned to the Toledo Opera to direct Rigoletto, and Opera Cleveland for Il Barbiere di Siviglia.  She will also return to Seattle Opera in the future to direct a new production of Don Quichotte..

Her talents extend to the world of musical theater, where she directed the fiftieth anniversary national tour of Oklahoma for the Troika Organization, and Happy End at Chicago's Court Theater, served as librettist for Claude White's Love, Death, and High Notes, a children's opera commissioned and performed by Opera Theater of St. Louis, serving as dramaturgy for Scott Eyerly's new work entitled The House of the Seven Gables.  An accomplished choreographer, writer, and lecturer, Ms. Brovsky is an advisor for the Douglas Moore Foundation for New Composers.